Showing posts with label Race and Ethnicity. Show all posts
Showing posts with label Race and Ethnicity. Show all posts

Saturday, February 28, 2015

The Next GOP Card to Drop...

Lee Atwater with Ronald Reagan.
Just checked out the survey results of the Public Religion Research Institute. Wow. People identifying as "unaffiliated" at 22%, the 3rd largest group behind Catholics, who have dropped to 23%. And Protestants at less than 50%. I'm guessing that GOP Presidential candidates catering to the religious right (Huckabee, Perry, Carson, Santorum, Pence) will get favorable attention only in the South (excluding Florida), and maybe Indiana, Kansas, Utah, and West Virginia. That attention will not translate into significant primary votes.

Lee Atwater played the race card to help Reagan and Bush, Sr.. Remember the line from from this 1981 interview? Atwater said: ''You start out in 1954 by saying, 'Nigger, nigger, nigger.' By 1968 you can't say 'nigger' -- that hurts you. Backfires. So you say stuff like forced busing, states' rights and all that stuff." And who from my generation can forget the infamous Willie Horton attack ad?

Karl Rove with George W. Bush
Then Karl Rove played the religion card for Bush, Jr:
NARRATOR: Both Rove and Bush knew that the election of 2000 had depended upon a core constituency, the conservative wing of the Republican Party, particularly the religious right.
DEBATE MODERATOR: Governor Bush, a philosopher-thinker. And why?
GEORGE W. BUSH: Christ, because he changed my heart.
When you accept Christ as your savior, it changes your life.
NARRATOR: George Bush had the genuine faith to appeal to religious conservatives. Karl Rove had the political instincts to see their campaign potential.
WAYNE SLATER, Dallas Morning News: Karl never really talked about religion very much. In fact, I got the clear impression that he was a person who was not religious at all.
DANA MILBANK: Now, where Karl's interest is, is in the mechanics of this. And I think it's fair to say that religious conservatives, evangelical churches, have become sort of the new labor unions (from this 2004 Frontline episode, "Karl Rove: The Architect").
See also David Kuo's Tempting Faith. Kuo was the Deputy Director of the Office of Faith-Based Initiatives from 2001-2003, and claimed that "some of the nation’s most prominent evangelical leaders were known in the office of presidential political strategist Karl Rove as 'the nuts.'

What will be the next card? Those scary undocumented immigrants? Denizens of places outside of Sarah Palin's "real America?" All those treasonous people who don't think the US of A is the most splendiferous country in the history of the universe? NPR addicts? Spongebob Squarepants enthusiasts? We'll soon find out...

One possible GOP card: depict the Democrats this way.
Maybe add some Beanie Babies for good measure.




Friday, February 20, 2015

American Giuliani-ism

Just read Jamelle Bouie's thoughtful essay on Obama's brand of exceptionalism ("The Past Perfect"). Bouie describes a recent speech by Rudy Giuliani to "businesspeople, conservative elites, and Wisconsin Gov. Scott Walker," in which he lambasts President Obama's character and questions his patriotism. Hardly new. Obama's opponents have been doing that since he first ran for the presidency. Bouie doesn't take on Giuliani, though. Rather, he proposes an explanation for Obama's "less triumphant" version of exceptionalism:
The best answer, I think, lies in identity. By choice as much as birth, Obama is a black American. And black Americans, more than most, have a complicated relationship with our country. It’s our home as much as it’s been our oppressor: a place of freedom and opportunity as much as a source of violence and degradation. We’re an old American tribe, with deep roots in the land and a strong hand in the labor of the nation. But we’re often seen as other—a suspect class that just doesn’t fit.
I have less patience than Bouie with myopic visions of the US's exceptional role in the world. Consider this Giuliani line: “What country has left so many young men and women dead abroad to save other countries without taking land? This is not the colonial empire that somehow he has in his hand. I’ve never felt that from him.”

Teddy Roosevelt's Rough Riders, 1898
 Well, Mr. Giuliani, we did take land by force. Since 1781, how did we gain "land" west and south of the original 13 states? The Seminole wars in Florida, in the first half of the 19th century. The invasion of Mexico in 1846. Warring against Native Americans, from the Cherokee wars of the 1780s-90s, to the last bloody skirmishes in the early 1900s. And there's the War with Spain in 1898, winning "land" in the Caribbean and the Pacific.

And not all forms of colonialism require direct, permanent occupation--just an occasional intervention by US marines, or covert operation (for a list of US interventions in Latin America and the Caribbean, from 1890 to 2009, visit this site).
US-supported right-wing Contras
in an Honduran training camp, 1989

That said, I do not make the claim that our country is evil. That's too simplistic a characterization of the US's complex history of war-making and foreign relations. As simplistic as Giuliani braying that we are innocent.


I'll finish with these lines from the Nicaraguan poet, Rubén Darío (from the poem "To Roosevelt," 1904):

...You think that life is fire,
that progress is eruption,
that wherever you shoot you hit the future.

No.

The United States is potent and great. When you shake there is a deep tremble that passes through the enormous vertebrae of the Andes. If you clamor, it is heard like the roaring of a lion...You are rich. You join the cult of Hercules to the cult of Mammon, and illuminating the road of easy conquest, Liberty raises its torch in New York.

Wednesday, August 21, 2013

Movie Reviews: Too Bad The Spring Breakers Didn't Face The Impossible

WARNING: All sorts of spoilers.

The other day I jumped the gamut of cinematic art--from film as a slap in the face to one intended to inspire.  Spring Breakers and The Impossible.

I started the first, knowing I was entering this movie with predispositions and baggage.  I already have a class conscious-cum-stern Lutheran knee-jerk reaction to the very idea of college kids rushing south to enact some banal version of bacchanalia.  In my undergrad days (hrumph), in Reagan's "morning in America," I worked full time during spring breaks to make ends meet (plus, you know, I biked miles through perpetually flooded streets while at Oregon State, always uphill).  And my introverted sensibility could not have born partying with hundreds or more of unknown people in various states of drunkenness and dress.


The Beatles, Baby You're a Rich Man (Magical Mystery Tour, 1967)

The closest I came to this was a night of bar-hopping soon after my 21st birthday--and I will forever associate partying in a human herd with desultory dancing to a Beatle's medley mashed together with an ear-bashing 4/4 techno beat (BOMP bomp bomp BOMP, and repeat), vaguely pretty women trying not to look bored or disappointed (they had good reason, no doubt), an air of sexual tension suffused with competing, clogging colognes, smoke, and alcohol, and the second worst hangover in my life (the worst was after a night of rum and cusha at a going-away party in Guatemala).
Scene from Spring Breakers (Harmony Korine, Writer/Director)
Source: Salon.com

But I had heard about Harmony Korine's previous controversial movies (KidsGummo), and decided to finally give this cult-status moviemaker a try.  The story centers on four college girls, bored, and desperate to join others heading to Florida for spring break.  Apparently, they've known each other since kindergarten, are very close, though one is an evangelical Christian (her name, Faith, has me immediately smelling clumsy allegory) and the others (Candy, Brit, and Cotty) spend class time doodling penises and partying hard the rest of the time.  The poor girls don't have enough money for the trip, though somehow the three baddies with cutesy names have enough to score coke.

But this movie isn't about plausibility, it's about polemic, and parody.  The scenes of spring break partying on the beach or in cheap hotel rooms are idealized.  Impossibly, all the young partiers have beautiful sculpted bodies as they dance ecstatically, guzzle beer, snort lines, with guys taking pics of girls baring magnificent breasts, and the girls just delighting in being little more than objects of sexual desire.  Debauchery is just non-stop fun!  Korine makes it clear, though, with dreamy color schemes, slow-motion moments, and jarring editing, that this is a fantasy.  He does give us a few dark moments: a girl collapsed head-down by a toilet, a near rape scene, and the creepy ATL Twins doing lines on a comatose girl's naked body.  But the party rocks on.

Sadly, I suspect some viewers won't get the joke.  It will be party porn, similar to what Anthony Swoffard described in Jarhead, young marines watching anti-Vietnam movies like Apocalypse Now or Platoon, not for the critique of war, but for the "magic brutality" of the combat scenes.

There's brutality in Spring Breakers, too.  The girls find a way to reach spring break nirvana after the three more nihilistic ones--Candy, Brit, and Cotty--rob a restaurant and its patrons, wielding squirt guns and hammers, which they use with abandon, clearly loving the mayhem and fear they provoke.  Once down in St. Petersburg, they are in paradise.  Faith never wants to leave, never wants the moment to end, uttering fatuous lines to her friends, her mother, her grandmother, about how perfect it all is, how she's found herself.  But it does end, she does leave, lost again.

First, they get busted at a party for drug use, and spend the night in jail.  A rising local drug lord named Alien had noticed them before and shows up to bail them out.  But his scene scares Faith, and she's on the bus back to boring college, weeping.  Later, in one of the more nightmarish scenes in the movie, a prelude to a stint of violent crime, the three girls are in swimsuits and pink ski masks, dancing around with guns, while Alien plays a Brittany Spears song on a white piano, as a garish sun sets on the sea around them.  They look like a vivisectionist experiment grafting feral skinned mole heads onto nubile teen bodies.  Predictably, I suppose, this image has become something to emulate in pop culture rather than an occasion to think critically about pop culture (I don't want to promote the websites by naming them here--but if you just google "spring breakers scenes pink ski masks...").

Soon things get too rough for Cotty.  After she's shot in the arm during a showdown with Alien's competitor, Archie, she's also on the most unmagic bus, glumly headed home.  "Spring break forever," is a repeated in the latter part of the film, but it isn't.  The remaining two girls shame Alien into avenging Cotty and his manly honor.  It's enough to screw him and then call him "scaredy pants," thus giving him the choice of their bodies or their contempt.  A no-brainer (literally and metaphorically), and they're off to do in Archie and gang, Candy and Brit in day-glo yellow bikinis and those pink ski masks, their beautiful bottoms swinging in time with the guns in their arms.  Alien is downed immediately (the pathetic Alien, who not long before had repeated "Look at all my shit" to the girls while showing them his money, guns, hat and shoe collections, and his Calvin Klein cologne).  The girls massacre the entire Archie entourage, briefly stop to caress Alien's dead face on the way back, and then drive back to Anywhere University in his car.

The point of the parody?  Not surprisingly, the Hollywood Reporter's David Rooney didn't think there was much of one, just an interesting experiment in pop-art that is "bound to acquire at least minor cult status."  But according to Boston Globe's edgier Ty Burr:
Korine delivers a teenage apocalypse that’s shocking and stupid and exhilarating and tender in equal measure. “Spring Breakers” fuses our worst nightmares and most reckless dreams of freedom until the two become indistinguishable.
Well, I'm neither as dismissive as Rooney or excited as Burr.  I was, believe it or not, once in my late teens and early twenties, and remember the yearning for freedom to do just whatever I wanted to do, to hell with consequences.  But I'm sure that yearning does not disappear in later decades for most people, who go to lesser and greater lengths to ignore it, or keep a lid on it (for the record, I've tried both lesser and greater).  Adults hardly have a monopoly on virtue.

Also, having taught college students for the past twenty years--and hearing variations of "kids these days" ad nauseum--I can't buy the notion that the current cohort of youth is any more rife with self-indulgence or nihilism than the previous cohorts, including my own.  And who raised all those awful kids, anyway, or taught them?  On top of that, over the years I've known many students who have been anything but self-indulgent and nihilist.  In other words, I think the parody in Spring Breakers is too harsh, too generalized.

At the same time, I think the film's most important critique has been missed by most.  It's the ending.  The two middle class students, who have gone to the marginalized poor white and black populations for their highs, who have fed on their cultural fodder, get them all killed, and get away with nary a scratch.  Korine's allegory is in part about class, and it made me think of young grads going into Enron at the end of the last millennium, living large while helping trash California's energy economy (for examples, see the documentary The Smartest Guys in the Room), or more recently, young grads making mounds of money off of mounds of toxic debt that drove us into "The Great Recession" (listen to This American Life's Giant Pool of Money or Another Frightening Show About the Economy).

But that message about class, unfortunately, is likely lost in the question of gender.  Why does Korine make four young women (three of them, as many have noted, from the relatively innocent world of Disney) the fulcrum of his ironic catapulting launch against youth pop culture?  Women can be as badass as men?  A hipster cool point that the masses (especially straight guys) will like the Spring Breaker fantasy, thereby confirming their idiocy (and justifying the condescension)?  I am still a bit mystified, but maybe that was Korine's intention--unsettle the viewer.

So, time for something far more conventional.  Incredibly conventional.  Talking about The Impossible after Spring Breakers is like wolfing down a McDonald's combo meal on the road after a gluten-free free range entree at a restaurant with distressed furniture, and artfully pierced and tattooed servers who in their off-time ride with a biker gang.

But some times a quarter-pounder and fries ain't all bad.

Scene from The Impossible (J.A. Bayona, Director)
Source: aceshowbiz.com

The narrative in Spring Breakers was anything but straightforward, full of sudden cuts, flashbacks, repetitions, foreshadowing and backshadowing.  The Impossible story moved chronologically from an opening that fleshed out the main characters, to a horrific tsunami that separates them, a harrowing aftermath as they look for each other, and a soothing denouement where the main characters are reunited, hurt, but not broken.  All based on a true story (the 2004 tsunami that swept through countries abutting the Indian Ocean).  Humans can survive grave disasters.  Families can remain intact despite awful calamities.  Those are assurances most of us like to hear, even if we know that not all humans survive, not all families remain intact (the movie makes that clear, too).

The movie delivers that assurance with good direction and storyline, great effects, and marvelous acting.  I was so taken in that I didn't think about the craft involved, except for one moment of wondering, "How did they make this all so believable?"  So different from watching Spring Breakers, where every other moment I'm thinking about the moviemaker's flourishes, as if Korine were muttering in my ear, "Hey, look what I do next..."

The story follows a British family--mother, father, and three young boys--living in Japan, which decides to spend Christmas at a lush resort in Thailand.  Naomi Watts plays the mother, playing her so well that she received her second Academy Award nomination (the first was for the 2003 21 Grams).  I'm not sure why.  She was great in The Impossible, but being thrown around by a flood or lying in bed on death's door was not as complex or compelling as her roles in 21 Grams, Mulholland Drive, Eastern Promises, or even I Heart Huckabees.  I thought the notable star was the boy playing her oldest son, Tom Holland.  Really, all three boys were eminently believable.

I checked in again with Rooney and Burr and their takes on this film, and they again took opposite sides.  Rooney gushed over it, calling it "one of the most emotionally realistic disaster movies in recent memory." Burr, though appreciating the moviemaking, in the end deemed it "frustratingly myopic." I suppose I agree more with cynical Boston than starry-eyed Hollywood on this one.

A problem I have with the movie is, again, connected to class--this habit of framing horrible events that disproportionately affect the poor and people of color through the eyes of relatively wealthy whites.  I mean, give me a break.  The moviemakers couldn't even handle giving the audience the family from Spain on whom the screenplay was based?  Granted, there are understandable commercial reasons for anglicizing the characters.  It's easier to give us dumb Americans a way to avoid sub-titles.  It's easier to avoid the awkwardness of having a Spanish family indicated by actors speaking with a Spanish accent (oh, and then the hassle of picking one of Spain's vernaculars).  As well, white audiences who make up the more lucrative cinema market will more readily identify with white characters.  And, after all, thousands of white tourists were injured, died, or went missing as a result of the tsunami.  One need only glance at the BBC's partial list of the 149 missing and confirmed British dead to get a sense of all the heartrending pain for survivors and their families and friends back home.


2004 Asian Tsunami
Source: tsunami.com

Still, according to Wikipedia, in total there were over 148,000 confirmed deaths, close to 46,000 missing, 125,00 injured and 1.69 million displaced.  Most of these casualties occurred in Indonesia, Sri Lanka, India, and Thailand.  The Impossible ignores the global scope of the disaster and its victims, and the fact that the tourism trade for wealthier white folks exists because of poorer countries with ample supplies of very cheap labor and a need for hard currency.  It also avoids the plausible observation that natural disasters are so much more disastrous in places like Thailand, in part because national governments that expend resources on facilitating vacations for the wealthy have less to direct toward disaster prevention and relief.  Sure, all that context could make a movie screenplay unwieldily.  But it would be something if fewer movies depended on universalizing the experience of the rich and beautiful, while excising the misery of the rest of the people.

Okay, I'm grousing.  I enjoyed the movie, was moved by this story of the human will to survive, of the capacity for humans to put others before themselves in a crisis, and of the love in a family that pulls its members back together in spite of great odds.

But as with many things in my life--film, books, sports, teaching, politics, etc.--I can enjoy something, but still be unhappy with aspects of it (and vice versa in the case of Spring Breakers).

Saturday, July 20, 2013

George Zimmerman. Plucky Hobbit, Awful Troll, or Wannabe Knight?


SPOILER ALERT for Game of Thrones

I've been thinking about how Lord of the Rings (LOTR) and Game of Thrones (GoT) compare in terms of race, but the George Zimmerman-Trayvon Martin controversy seems to render that comparison trite.  But maybe not.


J. R. R. Tolkien grew up in an era when both physical and social scientists ascribed characteristics to people based on their national and racial origins (that kind of ascription has hardly disappeared).  Thus Middle Earth is thoroughly racialized, not just in the sense of different races of sentient beings (humans, elves, dwarves, etc.), but in how Tolkien defined the enemies of all the good "free folk."  Who sided with the Dark Lord?  Dark people--the "Southerners," the "Easterlings," the "swarthy" and the "slant-eyed."  The "black-skinned" orcs are irredeemably evil.  And on and on (you can see a debate about this at Tolkien Gateway).

As New York Times writer, Elvis Mitchell, hilariously suggested, Peter Jackson dealt with races in LOTR by turning them into yesteryear's rock bands:
Mr. Jackson apparently feels that the way to keep each of the fighting groups separate in the audience's minds is to provide them with hairstyles reminiscent of 1970's bands. The hobbits all have heads of tossled curls -- they're like members of Peter Frampton's group. Aragorn and Boromir have the long, unwashed bushes of Aerosmith, and the flaxen-maned Legolas has the fallen-angel look of one of the Allman Brothers. (The tubby, bilious and bearded Gimli could be a roadie for any of them.) ''Fellowship'' plays like a sword-and-sorcery epic produced by VH-1.
Mitchell doesn't apply this to the LOTR's bad guys, but orcs wouldn't have been out of place as back-up bands for Kiss or Alice Cooper.  Racial cues remain, though.  The "fighting Uruk-Hai," with their dreads, are a black rasta band, the elves are over-the-top Aryans, and the movies are replete with the old equations of white and light with goodness, black and dark with evil.

So one could imagine that if Trayvon Martin had wandered into Tolkien's Shire, some hobbit might justifiably mistake him for an "evil creature," follow and confront him, get in over his head, and escape by killing him.  That's Tolkien's social world, but in his moral universe, if we eliminate the connections between race and character, then this hobbit would be clearly be in the wrong (indeed, it's near impossible to imagine this scenario even unfolding in Hobbiton).

But Trayvon Martin died in Tolkien's social world rather than his moral universe.  Despite having evidence on hand of manslaughter, the Sanford police department didn't arrest Zimmerman until forced to do so.  People like Juror B37 can think George Zimmerman is guilty of nothing more than poor judgment, or that Trayvon is just as responsible for his own death, or that can dismiss the credibility of the prosecution's witness, Rachal Jeantel--a young black woman--because she didn't talk good American.


Does GoT move beyond Tolkien's racialized Middle Earth?  Hmm, sort of.  Accept for a one kingdom, the Starks of Winterfell, and maybe Tyrion Lannister and Daenerys Targaryon, everyone's pretty awful in GoT, no matter their color--though all the principle characters are white, as are most of the minor ones, except for Daenerys' growing multi-racial retinue of followers.  But the HBO series, like the books, gets around racialized characters by avoiding race-talk.  While there is plenty of derisive class and gender talk, this fantasy is grimly realistic in everything but race.  Interestingly, the nightmarish white walkers are, well, white, with blue eyes even.  But none of the trash-talking invokes racial differences--surprising for a story that pretends to be brutally frank.  Queen Cersei openly disses the poor and creeps like the Lord Walder Frey treat women as nothing more than something to screw and get pregnant.  But no racial aspersions.  Westeros is apparently post-racial.

Hardly.

As others have pointed out (e.g., Saladid Ahmed and Raffit Sani), what characters do people of color play in GoT?  Prostitutes, pirates, duplicitous merchants, or Dothroki savages.  And who saves all the dark-skinned slaves in HBO's season three?  The whitest of the white, Daenerys.  An old trope, and an old debate.  As if white people led the Birmingham boycott, resistance in South Africa to apartheid, indigenous resistance to Ladino oppression in Guatemala, among other examples (tons of criticism of stories To Kill a Mockingbird and Mississippi Burning on these grounds).

Does that mean GoT should be unwatchable?  No.  It should be occasion for what US Attorney General, Eric Holder, called for, and honest discussion about race, though he was reflecting on the George Zimmerman acquittal and not GoT.  As for GoT, had Trayvon Martin blundered into Westoros, he would have likely been one of the numerous casual casualties, though in his case, there would have been no tumultuous outcry about his death, or the legal wrangles around it.  Just another minor extra gone.  George Zimmerman the hapless knight who kills him only because he's armed with something more than concrete.

Only the powerful get to start conflict in the GoT universe, and get away with it--apparently in both Westoros and Sanford.

Thursday, September 20, 2012

Latest poll reports 47% of Americans can chew gum but walk only "poorly" at the same time, the rest are awesome at it

Unless you're lobotomized you've heard of the secretly taped video Mother Jones recently released (accessible here).  Most of the press has been about his characterization of 47% of Americans as slackers, and therefore will never vote for him, the uber non-slacker.  But Ruben Navarrette (at CNN) focuses on this Romney comment:

My dad, as you probably know was the governor of Michigan and was the head of a car company. But he was born in Mexico... and, uh, had he been born of, uh, Mexican parents, I'd have a better shot at winning this ... I mean I say that jokingly, but it would be helpful to be Latino.
It's a bizarre conjecture, as if there were a single Latino voting bloc, as if Romney's whiteness has been such a detriment to his political career.  Talk about playing the victim.  Anyway, Navarrette points out that being Latino certainly didn't help Bill Richardson, and adds:
. . .if Mitt really wants to get in touch with his inner Mexican, I think he'll find that it's not all churros and chocolate or pinatas and pan dulce. You see--and you might find this hard to believe, Mitt--but there is still a lot of discrimination in this country against Latinos as whites hunker down and try to hold on to what they have in the face of changing demographics.
This response, though, would probably roll right off Romney's back given his belief that this slacker 47% of Americans see themselves as victims--that's the narrative, people who link inequality to discrimination are simply whining about being victims rather than taking individual responsibility for their position in life.

Doesn't matter that data on structural inequality are readily available.  For example, poverty rates for Black and Hispanic children (something for which these children can hardly be held responsible) are significantly higher than those of whites, respectively 34, 27, and 10% (see p. 16 in this NCES report).  Poverty is associated with physical health, and therefore with the capacity to learn. Impoverished children have lower school completion rates and have more learning disabilities, both which affect employment chances down the road.

This still doesn't matter in this narrative of victimhood where there are no structural conditions, just atomized individuals who manage well a string of circumstances, or don't.  Interestingly, though, Americans as a whole are of two minds about this.  According to a Pew survey, a sizable majority disagree with the statement "Hard work offers little guarantee of success" (see chart below)
Pew Research Center: Trends in American Values, 1987-2012
However, the lower one's income, the more likely she or he would agree that "Success if pretty much determined by forces outside our control (see chart below).  Still, over the years near half of low income people disagree with that statement.
Pew Research Center: Trends in American Values, 1987-2012
However, when asked about whether its "circumstances" or "lack of effort" that explains poverty, more Americans say the former over the latter (46 to 38%).  Predictably, answers vary significantly by gender, race/ethnicity, income education, and party identification. Women, Blacks and Hispanics, low income folks, and Democrats are more likely to attribute poverty to circumstances.  Men, whites, and Republicans are more likely to say lack of effort (chart below)
Pew Research Center: Trends in American Values, 1987-2012
Clearly, the way the question about poverty is framed shapes American responses.  And it also gives us a clue as to why Romney's 47% comment resonates with a broad spectrum of Americans, but also why it got so much criticism.  As well, when put into a simplistic either-or sort of way, we're bound to get a picture of polarization and contradictions.

Let me illustrate with a quick story about a young Latina I know.  Her early years were passed in poverty, in urban projects and shelters, surrounded by addiction.  She moved in with a foster family, already behind in school, and with some severe learning disabilities.  She did earn her high school degree and get a job in a restaurant chain, but she also had a couple of abusive boyfriends, and two children out-of-wedlock, one of whom had serious health problems.  Now in her mid-twenties, she owns a home, has a partner whom she adores, her children are doing well in school, and she is poised to become a manager.

How did she get from the potentially disastrous point A to the promising point B?  Hard work, behavior changes, and perseverance.  Instead of lamenting what she could not do (learning disabilities), she found other intellectual strengths to get her through.  She stopped going out with unemployed guys with shady backgrounds, and found a dependable, caring partner.  Despite her heavy workload, she has remained deeply engaged in her children's lives, including their schooling.  She has bravely taken on managerial roles where she works, even though the training required scared her to death, since it reawakened all that insecurity and angst she had felt for years in school.  She has learned how and where to get help and advice on managing the home and finances.  Through force of will, she has turned her life around.  That's the narrative of individual responsibility (the inverse of victimhood) that Romney touts.

But it's not the whole story, of course.  We could start with observing that the conditions she lived with in those crucial early years of her life meant she had more barriers to achievement than her white middle class schoolmates.  And while, happily, she made it over those barriers, she didn't do this on her own.  She learned and earned her high school degree with care and attention of public high school teachers.  She has enjoyed free childcare from family and friends over the years.  She got a couple of rent-free years by living with her parents.  The court assured her at least some child support.  Medicaid covered much of the expensive healthcare for the children (as well as her two difficult deliveries).  The federal earned income credit allowed her to amass money for a downpayment on a home, and HUD subsidized her mortgage. So this is the other narrative, one of structural inequality.  She started out behind, but a combination of her family's social and financial capital, and local and federal government programs, enabled her to, if not catch up, at least not be so far behind in terms of economic and social stability.

Clearly, these two versions are compatible, yet the way we are talking about inequality makes them incompatible.  Thus we end up with Romney's facile line about that 47%, and responses like that of Navarrette which become more fodder for Romney's victimhood narrative.  I don't expect the campaigns to take this conversation to a more useful place, but we can.

Saturday, May 1, 2010

Bad Combo of Fear and Desperation in Arizona

The recent Arizona anti-immigration law (full text here) is understandable, but is likely unconstitutional, and just plain bad policy.
It is understandable because Congress has been dithering for years on this issue while others have been bearing the brunt of the costs of unauthorized immigration. I call it unauthorized—as does the Department of Homeland Security—because I don’t associate myself with those who see such immigration as a criminal act, as if someone coming to do cheap labor is on the par with, robbers, murderers, or the thieving executives of Enron and Tyco.
I witnessed these costs several years ago during a visit to Cochise County, Arizona. While walking the trails at Coronado National Forest on the border between Arizona and Mexico, I came upon garbage (discarded clothes, plastic jugs, etc.). Turns out, according to the park ranger (formerly in the Border Patrol), the park has to clean up tons of garbage each year. Moreover, the smuggler trails cross through environmentally sensitive areas, degrading habitats for plants and animals (you can find related 2006 congressional testimony on this matter here). Cochise County sheriffs sat me down with a folder of pictures—dead bodies their office was responsible for recovering—the result of federal deterrence efforts (like increasing surveillance and building more fences) that did not deter, but only drove migrants to cross through more remote areas, and, hence, higher death rates. It cost the County two to four thousand for each body recovered they said. Moreover, the sheriffs told me, the Border Patrol routinely refused to cite a suspected unauthorized immigrant if she or he was injured. Rather than take on the healthcare costs, Border Patrol agents would simply drop them off at hospitals and clinics, shunting the cost from federal coffers to local ones (though I should add that I heard numerous stories from undocumented Mexicans in Indiana that Border Patrol agents had saved them or a relative after they become separated from their coyote—or abandoned by him—and were wandering lost in the deep desert).
And there was the cost to the Douglas High School—with so many children from mobile migrant families, a significant number of students who were there at the beginning of the school year were gone by the time of testing required by the No Child Left Behind act (NCLB), and therefore the school could not meet the NCLB requirement that at least 95% of students take the standardized tests. And, of course, there are the other more dramatic costs that typically get more attention—the violence associated with narcotrafficking.
Along with bearing the costs of being the conduit for cheap labor for employers elsewhere in the country, unauthorized immigrants make up a relatively high percentage of Arizona’s total population (see table below). Though their number is far lower than those of California and Texas, Arizona’s relatively low population means their presence is harder to ignore.
State
Population (2009 est)
Unauthorized Immigrants (2009 est)
Percentage
Unauthorized
California
36,418,000
2,600,000
7.1%
Texas
23,846,000
1,680,000
7.0%
Florida
18,182,000
720,000
4.0%
New York
19,429,000
550,000
2.8%
Illinois
12,829,000
540,000
4.2%
Georgia
9,509,000
480,000
5.0%
Arizona
6,344,000
460,000
7.3%
Sources: US Census Bureau, Factfinder, at http://factfinder.census.gov/home/saff/main.html?_lang=en; and Department of Homeland Security, “Estimates of the Unauthorized Immigrant Population residing in the United States, January 2009 (January 2010), at http://www.dhs.gov/xlibrary/assets/statistics/publications/ois_ill_pe_2009.pdf
That said, the policy is wrong-headed, reflecting the apparent US tendency to resort to force to resolve challenges or turn back perceived threats. Every time the US has increased border enforcement (with fences, more Border Patrol, etc.), the area of increased enforcement has simply meant the redirection of human trafficking, along with an escalation of violence. And US Americans need to keep in mind that migration is not just a domestic issue, it is a foreign policy matter. Migration law is within the constitutional jurisdiction of the federal government, and it needs to act now in order to prevent an array of disparate migration policies that will make overall migration policy even more irrational than it already is. The Arizona law is also impracticable, dumping a gargantuan task on local law enforcement agencies in an economic environment of state and local retrenchment.
And there’s the issue of racial profiling that will undoubtedly result. Wait, Wait, Don’t Tell Me’s Peter Sagal lampooned the notion that the law has nothing to do with race or ethnicity:
Peter Sagal: “What might make the police think someone is illegal? Not their skin color or accent, no, no, that would be racial profiling. Instead, the police will be looking for people who seem reeeally homesick. . .
Amy Dickinson: “Writing postcards. . .”
Peter Sagal: “Exactly. Just standing there, looking in the distance, saying, hmm. . .
Amy Dickinson: “Oh, if only. . .”
Roy Blount, Jr.: “In Arizona you should probably not go to a policeman and ask for directions.”
Amy Dickinson: “Right. That’s out. . .”
Peter Sagal: “One defender of the bill, one Californian Congressman named Brian Bilbray said ‘No, it’s not about the skin color or anything else. You can tell people are illegal by the way they dress.’ That’s what he said. And he’s right of course because as we all know they often wear T-shirts that say ‘I’m with undocumented.’ Or here’s a favorite, ‘My mother smuggled me across the Sonoran desert and I’ll got was a low-paying job you people don’t want.’”
If you still doubt that race and ethnicity do not really matter in Arizona’s militant anti-immigration policy, consider a new state law that conflates sedition and studies of particular ethnic groups. The law bans public school courses that
Promote the overthow of the United States government.
Promote resentment toward a race or class of people
Are designed primarily for pupils of a particular ethnic group.
Advocate ethnic solidarity instead of the treatment of pupils as individuals.
Well, who in the world in Arizona public schools is promoting the overthow of the US government? Do they have fringe elements of the Hutaree militia or Tea Party movements teaching there? No, the implication is that there is a connection between a multicultural education program and sedition. Evidently, the state that resisted celebrating MLK is again fighting the outcome of the Civil Rights movement. Multiculturalism was a result of that struggle, and really took off in the 1980s as educators worked to make history less a story of white people, and more an account recognizing the presence of people of color, and women, in our country’s history. Ethnic studies programs are also the result of ongoing specialization in academia—every discipline has experienced an explosion of sub-disciplines.
What the lawmakers present as egalitarian individualism is really part of a incoherent project to fashion Arizona into what Sarah Palin called “real America,” a place where whites can again be unconscious of their entitlements, not troubled by the seamier side of our country’s history (hey—a shout-out to the Texas Board of Education!), and where everyone speaks American--the Arizona Department of Education has ordered schools to no longer allow teachers with “heavy” or “ungrammatical” accents to give English courses.
So the Arizona government will take care of the unauthorized immigrants at the point of a gun, and can deal with the critics by shutting down certain kinds of inquiry and teaching, and by calling them treasonous. Along with Sagal’s advice to suss out the illegals by looking for the homesick, Arizona could try testing anyone entering the state for her or his fluency in spoken American. The state will lose some potential retirees from, say, Boston and New York City, but freedom from fear of the other don’t come cheap.
By the way, Arizona made think of the depiction of Topeka, Kansas in the cult Sci-Fi classic, A Boy and His Dog. . .